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Underground


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Underground


UNDERGROUND

We all, at times, want to run away. Remove ourselves from society. Where might we run to?

Babel's newest production invites the audience to experience the world of one of Dostoyevsky's notorious characters, only really ever known as: The Underground Man. 

As he drags the audience on an obscure journey through his own analysis of the human psyche in a tantalisingly strange landscape blitzed with stunning images, deliciously obscure text and a penchant for the ridiculous, he and audience members along with him are forced to question their places in today's society. 

Commissioned by HOME and developed as part of their Russian season for Autumn 2017, marking 100 years since the Russian Revolution.

Underground will premiere at HOME in November 2017

 

CREATIVE TEAM

Created by Joseph Lynch

Producer: Hannah Ellis admin@babeltheatre.co.uk
Associate Director: Sam Ward

Devising Collaborators:
Wiebke Acton, Christopher Finnegan, Sophie Giddens, Kayleigh Hawkins, Tilda O'Grady, Sam Ward, Owen Rafferty

dates

2017

Due to severe illness within the core UNDERGROUND team, we have postponed the premiere. 

Information and updates on the production can be found on the link below:

 
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“I used to imagine adventures for myself, so that I could at least exist somehow.”


“I used to imagine adventures for myself, so that I could at least exist somehow.”


research

This page is under development and will be updated regularly!

the novel

The apology and confession of a minor mid-19th-century Russian official. Notes from the Underground is a half-desperate, half-mocking political critique and a powerful, at times absurdly comical account of a man's breakaway from society and descent 'underground'.

 

quotes

 

 
“I swear to you gentlemen, that to be overly conscious is a sickness, a real, thorough sickness.”
“To love is to suffer and there can be no love otherwise”
“an intelligent man cannot become anything seriously, and it is only the fool who becomes anything”
“in despair there are the most intense enjoyments, especially when one is very acutely conscious of the hopelessness of one’s position.”

NOTES from the first reading